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Guilherme, 22
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  1. Part of the Heaven and Hell character collection I’m creating >D

    Part of the Heaven and Hell character collection I’m creating >D

  2. Dave Rapoza’s self portrait painted with a penis brush. Dave Rapoza’s self portrait painted with a penis brush.
    High Resolution

    Dave Rapoza’s self portrait painted with a penis brush.

  3. Pose doesn’t make much sense, but I kinda like the result :3 Pose doesn’t make much sense, but I kinda like the result :3
    High Resolution

    Pose doesn’t make much sense, but I kinda like the result :3

  4. 
2. Draw a figure using a reference - link to reference


Meh, looks ok, I think. I’m one day late D: gonna make/post day 3 later today.
(Thanks everyone for the kind words and who liked my self portrait <3)

    2. Draw a figure using a reference - link to reference

    Meh, looks ok, I think. I’m one day late D: gonna make/post day 3 later today.

    (Thanks everyone for the kind words and who liked my self portrait <3)

  5. I wasn&#8217;t going to post this one but I changed my mind haha. This was made for a friend :) I wasn&#8217;t going to post this one but I changed my mind haha. This was made for a friend :)
    High Resolution

    I wasn’t going to post this one but I changed my mind haha. This was made for a friend :)

  6. aoharu:

penis origami
aoharu:

penis origami
    High Resolution

    aoharu:

    penis origami

  7. caravaggista:

    William Bouguereau, Dante and Virgile details, 1850

    From the Musee d’Orsay:

    This painting was inspired by a short scene from the Inferno, set in the eighth circle of Hell (the circle for falsifiers and counterfeiters), where Dante, accompanied by Virgil, watches a fight between two damned souls: Capocchio, a heretic and alchemist is attacked and bitten on the neck by Gianni Schicchi who had usurped the identity of a dead man in order to fraudulently claim his inheritance. The critic and poet Théophile Gautier was very complimentary: “Gianni Schicchi throws himself at Capocchio, his rival, with a strange fury, and Monsieur Bouguereau depicts magnificently through muscles, nerves, tendons and teeth, the struggle between the two combatants. There is bitterness and strength in this canvas – strength, a rare quality!” In fact, Bouguereau here shows great boldness. He is exploring the aesthetic boundaries: exaggerating the muscle structure to the point of distorting it, exaggerating the poses, contrasting colour and shadows, depicting monstrous figures and groups of damned souls. We are particularly reminded of the sublime visions of Romantic artists like Blake (1757-1827), Füssli (1741-1825), and Lawrence (1769-1830). Everything in this painting underlines the feeling of terribilita and horror: a theme to which Bouguereau would never again return.

    (via anon252)

  8. darthjoey:

    More of the ever handsome Dillon Parkes

  9. (Source: arch-noble, via bastienvs)

  10. heh oops

    heh oops